Creative Industries (ICC): A New Opportunity During the COVID-19 Crisis

“The only thing that remains unchanged about change is change itself.”
Heráctito, s.V A.C.

OFF ZOO

OFF ZOO

In 2001 John Hothins published The Creative Economy: How People Make Money from Ideas, where he put forward a new type of economy that involved that ideas become goods and services related to intellectual content and finally generate economic and social wealth.

Creative Economy / Orange

Twenty years later these ideas have been established in the creative sector as a creative economy or an orange economy designed as a tool for social, cultural and economic development and that unlike other economies involves an ecosystem of values such as creation, production, distribution, circulation or public and public audiences. At ICC they have traditional sectors such as architecture, visual arts, performing arts, crafts, cinema, design, editorial, fashion, music… but also R & D & I research, software, video games, web and apps, among others.

Impact of the creative economy

The growing creative sector and the Covid- 19 pandemic have highlighted the need for these kinds of goods and services to maintain good mental health. The pandemic forced a number of companies to accelerate the digitalization of their goods and services and to offer them to the network at a time of record, but they will survive only if after they have an added-value proposal that differentiates them from other goods and services and involves creative, innovative and easy-to-reach, public and public aspects that take into account their audiences and are environmentally friendly and have tangible social benefits. We can say that creative and orange economy involves economic values: it represents 6.1% of the global economy’s GDP, innovative: evaluating creativity as a source of wealth and development, social: it’s promoting profiles such as scientists, artists, designers, artisan and developers… and finally sustainable values: as it proposes clean and green solutions.

Communat Ris3cat Media

Since Creactivitat we have developed innovative and creative solutions for our clients Eduard Vandelós (CEO) is the only expert accredited by Acció in digital marketing for cultural and experience industries and forms part of the Ris3cat Media community, a group of R & D & I agents and companies from the cultural and creative industries of Catalonia that work to articulate and promote research and innovation strategies for intelligent specialization. Creactivitat leads the Zink.Cat project that develops a new work methodology that unites creators, designers, data compilers, traditional industries and AI. At the new stage that the world begins after the pandemic, this economic model challenges itself as a new source of wealth and growth for jobs, new businesses and production development, bringing a new perspective focused on creators., ideas and respectful to consumers and / or final customers.

@belenasensio
Creactivitat.2020

FAQ’s

About the blog and its content

Topics, editorial standards and publishing frequency.

The blog is organised into four areas: web design and development, search visibility (SEO, local SEO and GEO), artificial intelligence applied to business, and digital marketing and content. The current priority is AI for business, because that is where search demand is growing fastest: searches related to AI automation have multiplied twentyfold in Spain over the past year, while the sector’s classic vocabulary is falling.

We publish on a regular schedule, prioritising depth over volume. We would rather publish one well-researched article a month, with our own perspective and real examples, than four superficial ones. Content on fast-moving technical topics (AI, Google algorithm changes) is reviewed and updated periodically rather than left to age.

Articles are written and signed by the Creactivitat team. AI tools are used as support for specific tasks — research, data analysis, proofreading — but the judgement, the experience from real projects and the conclusions come from the team. This distinction matters: Google rewards demonstrable experience (E-E-A-T), and readers quickly spot mass-generated content with no real thinking behind it.

Every article shows its publication date and, where it has been revised, the date it was last updated. In a sector where the rules change every few months — especially anything involving AI search engines — an undated article is a warning sign. If you spot something out of date, let us know and we will review it.

Yes. Many articles come from real questions raised by clients or readers. You can send us your suggestion through the contact page. If the question is specific and comes up often, it will likely become an article or a Help Centre entry.

How to use the blog

Navigation, subscribing and reusing content.

The blog is organised by topic categories, not just by date, so you can go straight to the area you need: web design, search visibility, artificial intelligence or digital marketing. If you are looking for a quick, practical answer, the Creactivitat Help Centre is usually faster, because it is structured as questions and answers.

The Help Centre answers specific questions briefly and directly (what SEO is, how a web project works, what GEO is). The blog develops topics in depth: analysis, real cases, industry shifts and informed opinion. If you want a quick answer, go to the Help Centre; if you want to understand a topic thoroughly, go to the blog.

Yes, you may quote and link to our articles as long as you credit the source and link to the original. What is not permitted is reproducing full content on another website without authorisation. If you would like to reuse content for a professional or educational publication, get in touch and we will discuss it.

You can follow new publications through the agency’s social channels and the updates announced on the website itself. If you would like to be notified about new content, let us know through the contact page.

The Creactivitat website works in Catalan, Spanish and English. Core content is available in all three languages; some highly specific articles may be published in one language first and translated later. The agency regularly works in Catalan, Spanish, English, French and Italian.